法国热门景点怎么画

一条横线，一撇一捺，上面盖上盖，一撇一捺，再加一个盖， 长长一撇，长长一捺，上面顶着一块砖， 砖上一竖线，其实是塔尖，盖盖上面扣个碗， 底下还有半个圆。再瞧瞧，原来是座大铁塔，左边竖横折，横横竖竖连成 片，挂在门里面，右边右添竖横折，连起楼一片 几个黑格格，原来是窗户弯线曲线，连起来一朵白云飘塔间。 这座大铁塔名叫埃菲尔，住在法兰西，闻名全世界。

协议化法国埃菲尔铁塔协议就是有那么点意思就行了。不要把物像画的太仔细了，那样很辛苦， 并且达不到你需要的目的。艺术需要创造，有激情画面才生动。每个人都是单独的个体， 应该有自己的思想和认知，千万不要被束缚。 钢铁线条 再画点柔和的树木，形成一种对比的关系。背景天空很空，用淡漠加点云彩，黑白灰都有， 画面就很丰富了。

埃菲尔铁塔坐落于法国首都巴黎，矗立在塞纳河南岸，于一八八九年建成，是当时世界上最高的建筑，总高度达三百二十四米。铁塔有很多的钢铁构成，现在已经是法国代表性建筑。 接着添加喜欢的背景， 点击关注我们更多精彩教程！

here we are in sunny bronton， it's a bit of a touristy place， but deservedly so it is really very pretty with this river going through， but i don't care where i am i'm interested in this last light really catching these buildings， which are glowing in the afternoon， it's a much more complex drawing than usual and it was necessary because if you look at that scene there's very few darks the windows just have a little bang bit on top everything else is fairly light very bright so it's very dependent of the accuracy of these darks and their character i am thinking even though it's not there of throwing an imaginary shadow， across these buildings and across this foreground to get even more light on top of these things， but more of that as i do it the sky is just a warm sky nothing to write home about i want this guide to vaguely register that's all it's the idea is to get this as warm as i can in a minute and go over all this very hot a lot of this will fade off and will not come out as bright as it looks this one is a lot lighter so we'll just go like that i want to get these that wonderful french blue whatever that is i want to get that in while this is still wet like that if it runs a bit i should be so lucky that's not obsessed like that see it's got that shame as i'm fond of saying indicate dance state just a little bit will do you and what should we do here more of this leaves some white， but as i say i'm going to pretend that there is a bit of a shadow creeping up， which will happen in some hours purple nothing wrong with that maybe a touch of this witness to it it looks strange for a minute， but it should be okay when i'm finished i just pray that this doesn't actually look too weak when time comes hopefully， i've done it strong enough at the moment i'm comparing all this to white paper so it's probably looking a lot stronger than what it will and so far so good kind of nonsense going on here i need to do this while it's wet or it will not look right good， it's that lovely time of the day the late afternoon i really enjoy that first light of the morning of course is wonderful and then you get this the evening light both the artist paradise truly a great time to be painting all this here it's just you max any shape that can be painted anything that can be painted in a single stroke your lucky person there's nothing more frustrating than having to try and try and get the thing in 20 strokes tries me crazy this is a roof zip well， two strikes and you correct a little bit there's also junk up here has that roof the shadow under again no time to play very important to have some good decent strong dax， so that it doesn't all end up wishy washy and connecting your shapes and your painting is one of those crucial elements of decent painting oops， so what i'd wanted but tied it up riverbank with little sticks and things is not very nice i will just make that a more natural sort of bank i think we can sneak in another bush in here whoops something like that and the remarkable how little you need to put in to signify a building 啊 as you can see we are nearing the end rapidly it's just the lovely red lamp there， huh， oops to be great there are many things i do in my work that i can't tell you what they are it's just pure instinct i spot a bit of red somewhere next thing i think is and i'll go for it sometimes it's to my regret when it works it's truly a fantastic thing just need to even though it's just a straight line in real life i feel if i was to put in a couple of things here it will make this come more light and of course as soon as i frame this in with this foliage and it should come even better it's important that this line is lovely and crisp and straight that in stacks quite like that light joining up so i'll let it be i look at that bridge now take that across whoops my well， that's what it wanted into there and then obviously we need that same green under here something like that is railing up there i want to make too much of this that bothers me only if i should put a shadow across it because i got no one else to blame sure there you go of course all all that remains now is the water it's a great diptation to get really carried away with these sort of reflections to your own peril if you try to actually really kind of match it and someone it actually looks dreadful so an impression is in order i'll be honest i have absolutely no idea what i should be doing with that reflection， but i know that it has to be super clean and fresh because there's so much going on here this has to be clean might help if i don't look at what's there and just paint these tricks like this and sports here thanks careful， very careful and of course the buildings use water a bit slow it run down and this one it's not too bad soften that and a bit of a response to this for whom does the bell toll tolls for the， and i think i'd be very silly if i did anything else to this， i'm using a tiny bit of wash i know there's a school of painting that really frowns on this i do apologize to but sometimes you just got no other option but to revive things this manner that dark is all wrong nothing magic is really just to break up the dark which was too severe if i can just say one of the big mistakes made when painting a location and i do it myself is to compare that majesty and it's now even looking better than before to this pathetic effort on the paper which you have done it's obvious you will lose every time of course when you get home at the magic of this pops out and all the memories of this and impression that any viewer had had or anything similar will come forward that dark should be responding here a bit， i think let's now almost dry across that's better it's getting late in the day， so it's time for beer so we'll call today finished this glorious spot and we'll see what we can find tomorrow what？