尼康z9对焦和追焦对比索尼

哈喽，大家好，我是海绵数码，真的，我近期的作品有一个观点说是索尼的拍照录像都比尼康强，有很多朋友不这样认为， 他们认为尼恒的拍照比索尼要强很多。在这里我给大家解释一下啊，象尼拍照能力最基本的是什么呢？一就是对焦，二就是画质，对焦就不用说了，画质方面呢，影响画质的因素有很多，最核心呢就是 cmos 和镜头，尼康百分之九十以上的机型用的 cmos 都是索尼提供的， 或者是同款或者是阉割款，只是各个厂商通过处理器给它进行磨改而已，本质是相差不大的。所以索尼的拍照肯定是比尼康要强的。 如果你是摄影爱好者的话，其实你买哪个品牌都是一样的，但是如果你有从业的想法，我只建议你买索尼和佳能，因为像尼康、松下、复式这些机型，其实他们的自动对焦能力是没 没有索尼和加能强的。像职业摄影师里占比最大的活动摄影师，婚礼摄影师，他们最需要的就是强悍的追究能力。 比如说你在拍新郎新娘交换戒指，或者说领导讲话，领导握手，领导按手印的画面，万一续交了，那不就完蛋了吗？ 有人说啊，尼康心机对焦怎么怎么好，确实，我试用过这酒，对焦能力还可以，但是他的连续对焦能力，视频追焦和连续四伏对焦 能力甚至比不上索尼的这位意识。所以你想有更好的新手体验，或者想往职业摄影师发展的话，还是推荐大家购买索尼和佳能。

终于终于我要来讲讲这台尼康的 c 九了，各位小伙伴，好久不见，我是阿凯。 那说起尼康的 z 九呢？网上铺天盖地参数已经非常非常多了，也有很多大神的开箱也好，对比评测也好，都做的非常的详尽了。 那这里呢，我只从自己的一个实际使用体验，一个拥有 c 九和现在正在拍我的这台 z 六二的 机主，来跟你们聊一聊关于我对这台机器的个人印象，可能非常的主观，也可能仅仅适合于一部分人，所以如果有问题可以在弹幕或者底下留言，我们可以来进行个友好的交流。杠呢？我觉得就没有必要了啊。先说结论，如果你是一个拍摄婚礼或者活动的摄影师，也就说你一场活下 下来可能要拍一千到两千张甚至更往上的，那么我是不太建议你买 c 九这台机器的。第二个呢，就是如果你是像我一样的自媒体博主，并且是一个人单兵作战，而且是 更新频率比较高的高频次运作，那么我觉得 z 九也其实不太适合你。如果你是个人玩家，而且对画质要求极高，或者说对方块机有一种情有独钟的癖好的话，这台 z 九非常非常的适合你。可以，如果你想 了解更多的话，我们继续往下看啊。首先一个 c 九的这台机器，我觉得参数性能非常的爆表，个人感觉他几乎没有任何的槽点，无论是他的续航，画质，对焦包括视频的能力都已经非常非常的顶 几何恐怖了。如果说尼康单反时代的第八五零是一个画质或者是性能的天花板，那么在五反时代， c 九首张其中当仁不让，甚至跟其他品牌的旗舰级相差也不落下风。 即使尼康在视频领域并没有那么深厚的积累，但是这次尼康还是给这太些酒配备了非常良心而且齐全的视频规格，从低到高任君选择。其实我觉得尼康也特别是想让消费者知道他在视频领域， 甚至通过这个固件更新给了你一个焕然一新，脱胎换骨的 z 九第二代。那么我说说为什么婚礼或者活动摄影师我不太建议你入手呢？第一个，因为你看 c 九配备的是双 cfetapb 的卡，那这种卡呢， 贵且不说，而且呢他的四千多万的像素，如果你是经常拍摄一千到两千张照片的这种摄影师的话，后期的选片跟存储压力也是一个不小的挑战。另外一个呢，如果你是刚才我说的那种 自媒体博主的原因，第一个很重，你至少得需要一台大江的二 s 三 pro 才能够支撑起他整 个机身跟镜头的重量。第二个呢，就是你有了 z 轴呢，你会不由自主的想拍 nlog pro res 甚至是 n ro 这种格式一开始你会觉得非常的新鲜，而且觉得这个动态范围真的非常的恐怖，调起颜色来非常非常的爽，电影感也马上能够出来。但是时间一长，你就 会觉得经常这样反复的操作，反而会对你造成一种负担，不管是生理还是心理上，甚至有可能影响到你对于拍摄自媒体的这么一个热情， 包括是照片。如果你是一个真的想拿 z 九来干活的摄影师或者自媒体从业者，那我相信你肯定已经非常的清楚自己的需求是什么才会去入手他， 不然的话我建议你要么再等等尼康的 c 八，或者就像我一样用尼康的 c 六二就可以了。我作为一个尼康 c 六二和 c 九同时拥有的用户，第一个呢，我就想对比下他们俩 两台机器之间的对焦和追焦技能到底有多少差不比不知道，一比真的吓一跳，我以前以为 z 六二已经非常非常的厉害，对焦基本上没有给我出过任何问题，追焦也觉得很 ok， 但是跟贼久一比六六二真的是太垃圾。 如果你不信，我们可以看看这个对比画面，第一段是尼康 c 九的这个对焦和追焦，虽然他的表现可能比索尼的 a e 和家人目前的二三来说还是有一点点的差距，但是我觉得 在非常可用的范围，他的反应还是够灵敏，而且整个对焦呢，非常的顺滑，不是像索尼那种刷了一下就对过去，这种感觉反而会让我觉得非常的舒服。但是 反观 z 六二对焦和追焦视频，拿出来一笔之后就会发现，哇，这酒真的是屌，因为你会发现这六二这个对焦就有点迷，有没有看到他整个实际画面，整个过程当中他就一直不停的咬 后面我这块幕布上面这个般诺的鬼脸的眼睛在对焦，以前我们经常说你这个摄像机对焦对了个鬼啊，我发现，所以啊，真的是对了个鬼啊，他对这个鬼有情有独钟的感觉，有一种自我的意思就是想去对着他，我也不知道应该怎么搞了，甚至我手动 点出了屏幕去让他选择路飞的脸，他最后还是牢牢的锁住了班诺的这个脸和眼睛， 真的是非常非常的无语，所以很多东西呢是不比不知道，一比吓一跳，真的货比货得扔。第二个呢，我们就来看一下它静态图片下面的解析力的对比，那这个呢，其实是毫无疑问的， z 九肯定比 z 六二要好出一截，同样在使用这个随口的二四幺二零 f 四这个镜头的情况下，我顺便说一下，这个镜头真的是非常非常棒，一康用户干活神器，如果你正在纠结干活用 什么头，这个头真的是买它买它。关于这个头实际的详细体验，我后续会出一个专门的视频跟你们来聊一聊。收回到这个画质啊，你们直接看图就可以了，左边呢是尼康的 z 九，右边呢是尼康的 z 六二。拍摄同一个墙底下，同一个镜头， 同样的胶段，二四二八三五五零七零八五和幺二零几个胶段对比一下，你自己可以看一下他的画质有没有个肉眼所见的差别，你看不出来，可能是手机屏幕比较小，放在电脑上还是比较明显的，这是我对这台尼康的 c 九这段时间使用下来几点最深的感受。 那我已经说了，我的前提是干活，或者说拍摄自媒体，如果你是拿着玩的话，只要你有钱，买买买，当我没说啊。但是呢，有一点提醒一下，就是目前来讲，我还是建议你等他原价再去买。那么这场你银行的酒有没有什么使用上的一些缺点，或者是我觉得 蛮遗憾的地方呢？这缺点呢，我觉得有这么两个，第一个缺点就是这台机器真的非常非常重，同样的方块机，我以前 在佳能的一粒叉二和一粒叉三上，甚至包括二三上都没有感受过这种分量。这台 z 九可以说直观的从手感上来说就是一台半的二三的重量。但是话说回来，因为它的整个做工非常的扎实，才导致 一个零下二十多度的环境下，一个晚上拍下来的赛 c 九居然还能正常工作，换成家人是绝对做不到的。所以如果你是一个婚礼摄影师，这样一台相机 双击身拿着一天就很累了你然后你试想想，加一个二四七零二点八的大双元镜头，再加一个机顶闪的话，一个分量真妥妥的够你吃一。第二个我觉得个人稍显遗憾的就是这台 z 九。那第二个我个人感觉稍显遗憾的就是 那第二个我个人感觉稍显遗憾的就是这台 z 九。嗯， 好像没有其他的遗憾，就是现在没办法正常买的到。如果你是一个家人用户或者熟悉了家人菜单的用户，会觉得你看的菜单很难用，跟索尼有的一拼。初体验的确是这样，但是当你习惯了你看到整个菜单逻辑之后，你就会 发现他的整个菜单逻辑其实是非常符合你的整个拍摄的调性的。不过有一点的确是啊，就是尼康的工程师在设计的时候，还是以还是以单反时期的纯拍照的相机来设计了尼康 z 九的整个菜单，没有说当他是一台混合性的相机，所以很多人都说家人的相机好用， 原因也在这里。还有一个，如果你不了解尼康的组合案件，可以说你对尼康的精髓是不了解的，因为你 尼康的很多快捷操作是通过组合按键来实现的，比如说自动 s 切换，对焦模式切换，连拍模式的切换，他都可以通过一个组合按键来实现，在某种程度上来讲，比任何一个品牌的相机都要快。 ok， 以上就是本期视频的全部内容啊，整个视频呢都非常的主观，希望对于有相同需求和环境的小伙伴有一点点的帮助。当然，如果你有任何问题和疑问，也欢迎在底下留言，我们可以来进行一个友好的交流啊。如果你觉得我的视频做的还不错，请你给我一个大大的赞，并且把这个视频分享出去给那些需要的小伙伴，因为你们的鼓励 依然是支持我前进的最大动力。我是阿凯，价格好，分享，再见，拜拜！ 电子快门的威力是不是很牛逼很爽啊？

我们今天啊拿着尼康的醉酒、富士的叉叉 s 和索尼的 a， 一测一下他们的追交和对交的能力，看看哪家更强。 您觉得哪家更强呢？

大概是一年前，尼康首次发布他们的 c 九相机时，我立即带到了现场，并花了一些时间使用它。 虽然他们的相机总体上给我留下了深刻的印象，但他确实有一些局限性，尤其是在自动对焦方面。所以当最近的固件更新后，我马上带着他去了野外进行了测试。让我们来看看细酒这次的表现如何， 以及哪些设置给我带来了最大的成功，尤其是自动对焦方面。当你拿起 c 九时，你首先注意到的是它的构建质量。它像一辆坦克，它感觉超级结实，做工精良，让你觉得可以把它带到任何地方，它都不会让你失望。 他配备了四千五百万像素的堆叠式传感器，可以提供细节出色的梦幻照片以及超级平滑好看的视频文件， 而它不会过热。最重要的是， g 九配备两个安全的 express b 型卡插槽和一块大小适中的电池。这个引人注目的相机唯一的缺点就是它的重量大约一点三公斤。如果你手持相机 使用较小的镜头时，有时会感觉会很重。当在现场使用尼康西九和他的套机镜头时，让我难以置信的是他的图像稳定， 这是迄今为止我用过所有品牌中最好的拍摄照片也是如此，只要拍摄对象不移动，在极低的快门速度下，即使是手持拍摄也能拍出令人难以置信的图像。 不过，为了让图像稳定发挥作用，对我来说，最好的方式总是使用标准模式，但很多人更喜欢把它放在运动模式上，但就我个人而言，我觉得模式运动有点太生涩了。 当我快速移动镜头时，每当我试图真正保持稳定时，标准模式表现的非常好。说到视频，这是尼康基酒真正闪耀的等地方。从四 k 三十 p 一直到八 k 六十 p， 所有这一切都是通过内部专业录制进行的， 没有过热。这绝对是梦幻般的。我从相机中导出的图像看起来很漂亮，有很好的细节和奇妙的色彩。正如你在这些片段中看到的那样，自动对焦工作的很好， 可以很好的跟踪整个鸟类。当我拍摄视频时，我依靠 af 区域进行连续跟踪，这样相机就能找到拍摄对象，所有的仕途都能找到并跟踪他。 在拍摄视频时，这对我来说是最有效的。我从 c 九相机中取出的照片有很棒的色彩和很棒的细节，但在一开始，他们总是看 起来比佳能二五相机的图像更嘈杂，但我用一些降噪软件，后期处理的很好。所以这没关系，即使在高矮搜下拍摄，我最终也会得到非常好看的图像。一天早上，我在红树林里散步，我不确定我要拍什么。 突然，我发现了一群鸟，他们在红树林里飞来飞去。事实上，我甚至很难将他们放在取景器中，但西九成功的抓住了他们，专注于他们，最终得到了一些不错的图像。 有时他的对焦系统可能会有点犹豫，但总的来说，自动对焦功能表现的很好，给了我一些不错的图像。这是我最喜欢的一张照片。 你可能猜到了这幅图有一个小问题，那就是那根烦人的树枝穿过了鸟，所以我在 photoshop 中打开原始文件，使用我的一个处理程序来获得正确的颜色， 然后开始删除树枝。一旦我完成了这个，现在我对他很满意，你觉得怎么样？对相机来说，一个很好的考验就是我家后院，当这些家伙来到我的喂鸟器前时，他们从来不会在那里不动，只是喜欢抚摸对方的羽毛。 这是两只鹦鹉互相攻击的一系列图像。你可以看到西九在这里做的很好。我得到了一些漂亮的图像， 所有的颜色都很棒。让我印象深刻的是，即使在相对较弱的光线下，我也能以高的 iso 来拍摄飞行中的鸟类。让我们来谈谈忌酒最重要的话题， 那就是自动对焦。尼康在这一领域名声不佳，与尼康 c 六二和 c 七二相比，自动对焦是快速的，但他仍然落后于像佳能和索尼这样的公司，尤其是远距离的对象识别， 或者弱光性能和弱光跟踪。而微光下的主体识别还有待改进。他似乎也不能很好的跟踪，并且经常失去主题，即使是在像蓝色的天空这样的环境下。我很高兴的向大家报告，在最新的固件三点一版本中，与早期的版本相比， 自动对焦功能得到了极大的改善。你现在可以很容易的在现场轻松依赖他。现在，为了获得尼康西酒在图像质量上的最佳效果， 您实际上必须使用不止一种自动对焦模式。我在细酒上使用的是自定义广域到三地跟踪，并在激活跟踪的大范围内发现。自动对焦似乎最初能找到鸟类的眼睛，但是当涉及到追踪时， 三 d 追踪实际上似乎比广域区域追踪更好。这就是为什么这两种自动对焦模式的组合在现场看起来效果很好。如果你 你的焦点在背景上卡住了，你不得不干扰自动对焦。这时我就会在功能按钮一上使用现场自动对焦把我带回到我想要对焦的正确区域。或者你也可以使用手动对焦来切换到焦点。我使用快门按钮和广角区域获得焦点，似乎效果最好， 然后将其传递给阿芳按钮。使用三 d 跟踪。我真的不喜欢在现场按两个按钮来获得清晰的图像和最佳效果。我试着欺骗系统。我认为我找到了一个很好的解决方案，让我只按一个按钮仍然得到良好的和一致的结果， 所以进入了菜单，选择了最大可能的待跟踪的广域自定义，并将其分配给快门按钮。所以每当按下快门按钮一半时，我就会使用待跟踪的广域自定义。然而，我根本不打算通过快门按钮进行任何跟踪，我只是在用我习惯的广域自 定义来为我找一个主题，因为他可以在你的主题中自行完成。相机将自动找到一个主题，并在周围放置一个灰色的方框。这是奇妙的，因为现在的三 d 跟踪不会像通常那样从自定义区域的中心开始跟踪，而是因为自定义区域已经获得一个目标， 他将从鸟身上的那个点开始跟踪。所以现在我不需要按下前面的快门按钮一半来获取目标，并使用广域自定义来检查目标。我可以简单的按下相机背面的快门按钮，他就会从这个位置开始跟踪，让我只需要一个按钮就可以对焦， 而不必使用两个按钮。所以每当我看到一只鸟，我就会把相机对准它。我让白色区域自定义找到一只鸟，在它周围画一个小灰框，然后我按下相机背面的立昂按钮，激活三 d 跟踪。我将在我的整个视野中跟踪这只鸟。这样使用相 相机确实让我的拍摄变得轻松了很多。你可能想知道为什么我不使用三 d 跟踪作为我的主要自动对焦模式。如果他看起来效果最好的话。原因很简单，我觉得他太难用了。因为允许你获得三 d 跟踪。检点的自动对焦区域非常小， 以至于你必须不断的在取景器上移动。他很难把它放在正确的位置，例如你焦点最终会卡在背景上，所以让广玉自定义为我找到一只鸟，然后激活三 d 追踪是更可靠的。在某种程度上， 我基本上是在欺骗系统，而不是用一个小的自动对焦区域来获取三地跟踪的焦点。我用广阔的区域为我找到一只鸟，然后让三地跟踪接管，这让我在野外的拍摄变得更容易。我的主要目标是找到一种简化自动对焦系统的方法，理想情况下只需使用一个按钮即可对焦。 我想我已经做到了。一旦我这样做了，我也有很多乐趣，并得到了迄今为止最好的结果。 当然，还有许多其他设置在吸酒上更改。人们经常讨论是对主体运动的拍摄响应。你可能不同意我的观点，但我坚信就自动对焦而言， 一只鸟实际上表现的相当稳定，根本不会非常不稳定，除非你拍摄飞行中燕子，但大多数鸟即使在飞行中也表现的很稳定。自动对焦不需要做太多疯狂的计算。这就是为什么我喜欢为主体的运动设定稳定。我把响应速度设置为三， 在过去我设置的是五，但现在我认为三似乎给了我最好的结果。这一次以这种方式设置吸酒，他绝对给我带来了最好的结果。我已经得到了一些。我用八百毫米 p f 和六百 毫米 tc 这两个镜头拍出了一些精彩的照片。这两个镜头在这台相机上表现的非常好。但在过去， c 九似乎连更简单的任务都很难完成，比如在一片很小的蓝天上追踪一只鸟。 但我现在很高兴的告诉大家，自动对焦还可以处理在繁忙背景下飞行的鸟类，甚至可以处理在你跟踪他时出现在他前面的其他东西。因此在这方面自动对焦的性能已经大大提高。 不过我有一个有趣的观察，当我在水面上追踪鸟类时，三地跟踪似乎要困难的多。 第一制的对焦方式实际上是半按一下快门，然后使用自定义的广区域来为我停留在鸟类上。所以当你在不同的按钮上有不同的模式时，你可以快速的切换并找到正确的模式，这在任何情况下都是最有效的。当一个 主题直接出现在你面前的时候，西九表现的出奇的好，这是很多相机难以做到的，但西九似乎很擅长完成这项任务。西九还有另一个挑战，比如拍摄树枝间的小鸟，这是大多数相机难以做到的。 而西九在过去也很挣扎，但是现在也有了很大的改善。有一天，当我走过红树林的时候，我发现了这些棕色的鸟类，他们都在小树枝上的叶子中间， 细酒能很好的捕捉到他们。我得到了很多清晰的图像，但他还有改进的空间，因为有时他仍然卡在树枝上。例如，大多数时候 我能够找到主题，给我漂亮而清晰的图像。那天早上我看到的另一只鸟是这只美丽的金色鸟，他被红树林遮住了，但后来我慢慢的绕了一圈，找到了一个我能看到他的地方， 在一些美丽的树叶中间。这就是我拍摄的结果。我对这个结果非常满意。所以总而言之，尼康西九固件更新后肯定得到了很大的改进。他现在可以非常稳定的工作。他的设置和使用有点复杂， 但一旦你习惯了他，你肯定会在你所在的领域得到他的结果。我也很高兴看到我可以不断的通过更新来改进相机固件。一点零和三点一之间的差异是相当惊人的，所以我只能想象在未来有更多的固件更新这款相机可能会更好。 你对此有何看法？你喜欢吗？你讨厌他吗？你在为此挣扎吗？你的其他焦点设置是什么？一定要在评论中告诉我。今天的视频就到这吧，我们下个视频再见。

今天我们来测试一下佳能、尼康、索尼这三个品牌相机录制动态视频的根教效果。首先测试的是佳能的 usr 六二代，接着测试的是索尼的 atm 四。 最后我们来看一下尼康的日久， 如果让你选，你更喜欢哪一款呢？欢迎在评论区留言。

steven you think the nikon fan people will be upset with me this time i want to make it correct stephen they're not fan boys they could be fan they're fan people it's equal jared poland fronos photo com and this is a pretty important video that we've kind of done in the past with different cameras and it's updated for twenty twenty two where we are testing out the r three from canon， the a one from sony and the nikon z nine's auto focus focusing on i af for humans to see how well they do in a controlled environment now， i say controlled environment because it's impossible for me to try and replicate a runner running at the camera three times in a row and that's why we set up the three cameras next to each other we put on the same exact lenses and one person runs and the cameras are recording at the same time so for the first test we used the fifty one point two from nikon， canada and sony and shot at one point two we set the cameras the exact same settings because we want to keep it as uniform as possible as close as possible now keep in mind that some of the lenses is some of the cameras at one two may be slightly different， one may be brighter， one may be slightly darker， but that's all dependent on how those lenses work on that system each camera is updated to the latest firmware at the time of recording it which is today， but today at the time that we're recording this we use the wide area af for all of these cameras so that means when a subject enters the frame the autofocus is going to look for that eye and it's going to find it and so we set each camera to that we also maxed out the auto autofocusing settings as they pertain to stickiness so the nikon you can set it to erratic and five which we set it to five now you can also use three d tracking for the nikon， but you can only set that stickiness level to three so that's why we shot with the wide area af because we can match that across the board with each of these cameras now， we're going to run clips in just a minute where you're going to see these in action， but we also set them all to thirty frames per second they can all do thirty frames now the nikon shoots those in jpeg， but for this test it's all about the autofocus so it doesn't matter if we're shooting jpeg for that one we figured if we can do thirty frames in all of them let's shoot thirty in the nikon， the canon and the sony， we also have three atomos recorders on these cameras there are each different versions of atomos recorders so if one of the recordings looks either， sharper or brighter or darker just keep in mind that's the atomos it's not saying that one of the cameras is not as good as the other this is just the request of the evf it's not an exact representation of what you would see when you put your eye up to the viewfinder now that's for the test with the fifty one point two， but we also break out the seventy to two hundred two point eight and the latest versions of all the seventy to two hundred two now i just got my pre order from allen's camera of the new sony seventy to two hundred two point eight so this is the first time that we can actually run all the tests with native lenses all the latest versions so it's as close as possible as we've ever been able to get this that's why we did the fifty one point two and then we do the seventy to two hundred two point eight of course that's at two point eight not at one point two because they don't go to one point two but right now we're gonna run about two minutes of sample clips you can take a look you're gonna see some of them it's just showing you how the tracking is working and the others we also pressed the shutters to take pictures and when we get back we're gonna talk about the results steven roll that footage how impressive was that that is the first time that we can put all three of these camera brands together and say that they all do a fantastic job that is a testament to what nikon has been able to do now the fact that they've called up here that's great but keep in mind that canon has an r five and r six and r three an m lineup that uses dual pixel af sony has all of the a seven r four， the a seven four， the a nine， the a nine two， the a one， the a seven c， the a seven three and there they all have this style of iaf already instituted that work tremendously and nikon hopefully will start to trickle that down to more of the consumer cameras but in this situation we noticed that the nikon was able to grab the eye at a first distance it seemed like the sony couldn't grab the eye at the same distance as an icon and either could the canon now that's in this one situation now keep in mind this is one scenario we didn't have any subjects running or chris crossing to be more of a distraction this is one controlled situation in the real world things act different， but all of these cameras in my use in the real world situation so far have done really well let me jump in here real quick to show you fro pack three in action on this file from the canon are three starting with fifth element fifth element gives it a pretty unique look right off the bat next we've got almost famous with no grain it kind of gives it a pretty filmic look which is actually pretty cool then we've got echot which is a really good catch all one and each world wide looks really good on this as well look at that， but i do want to go back to fro pack one to show you two of these we've got waffle house that i just i mean i love the way that one looks and then of course one of my go tos is skittles to make it go boom now if you're looking to give yourself a great starting point as well speed up your raw workflow we created fifteen all new custom lightroom presets that you can check out right now at frontosphoto com fro pack three while you're over there you can play with the sliders to see that before is in the afters decide to pick them up right now they are still on sale or if you want to get fro pack one fro pack two and fro pack three together as an ultimate bundle you can do that and save even more now let's get back to the video now some other things we noticed that the sony stays locked on where the subject was even when they leave the frame meaning it doesn't jump to the background as quick as the panin or the nikon did so that when the subject came back in it required them pretty well now sometimes you may notice that it just doesn't require the subject when it that comes back into the frame but in this test that we did we held our finger down halfway on the button even when the subject left the frame and came back what the simple way to reacquire a subject in a real world is you're going to take your finger off the button and then press your finger back down halfway and it's going to reacquire all of them are going to be able to do that and that's a good thing for the nikon because in our older test was at twenty twenty stephen something like that in twenty twenty the nikon would lose the subject stay on the background you take your finger off the button press it halfway down again and it still wouldn't reaquire the subject you had to go into the menu deactivate something turn it back on to do it now it's the same as the other three they all do a tremendous job at this point another thing i noticed in the canon r three was when i was running away from the camera it kind of copied and mapped out the shape of the back of my head with focusing points which was really good the sony seemed to just keep where the eye would have been so that's not bad and the nikon had a bunch of boxes bouncing around but that's not a problem at all i just think it was pretty cool to see what all of the autofocusing points did on the cannon front now in terms of hit rate i personally hate the term hit rate i personally hate when people are like what's the hit rate oh boy it only did ninety six percent i don't calculate any of that stuff i'm gonna let you download some of the jpegs from the burst modes from the nikon the cannon in the sony can download them and you can take a look for yourself but i want to put something into perspective if you're shooting thirty frames in a row in one second and a couple are out of focus and then the next six or seven are back in focus to win because there's nothing really different between frame， two and frame five in terms of timing they're just all so fast and i've noticed with all of the systems that sometimes you may miss your focus ever so slightly on one or two images in a row in that burst and then a ton of them are back in focus and then one may slip and then boom it could be back and in some situations especially when you're using the two eight lenses we saw this with the z nine when we were testing it on the skateboarder it hit them the entire time and the canon hit them the entire time was at the eighty five， one， two stephen or the fifty it just basically nailed it for thirty straight frames so these systems are spectacular in closing remember this is just one situation but this is the best way that we could come up with doing this at this point if you're deciding on what system is the best you just need to decide what system is the best for you because nikon has gotten there finally you see it this is plain as day it does a great job tracking it's a little more laggy than the others but it still does a great job with the final results they all hold their own you just have to decide what system do you want to go with where do you want to invest your money？ what type of glass do you want to get and then you decide where you want to go i don't think there's a clear winner over the other there's some pros and cons in every situation and you'll just see that when you go out and shoot， but they all do a fantastic job and if you can't get things and focus at this point with any of these cameras it's probably the person using it that needs to check on a few things because you don't even need to look through these cameras sometimes and just press the button to shoot and it's gonna nail a subject by asmosus at this point so thank you very much for watching did you notice something that we may not have seen in this video which do you think did better leave some comments down below don't forget to like share and of course like i just said comment thank you very much for watching jared poland photos com see you。

for the past month， my sony， a one and canon arthury have been on a little vacation because i have only been using the z nine for all of my photography and video that i do for this channel and i want to talk about the things that i liked and some of the things that i don't like with every fiber of my thing i tried so hard not to buy the z nine i'm already fully invested in sony， partially invested in canon it doesn't make sense nika doesn't even have a large amount of third party lenses that i can choose from so it's gonna be an expensive thing to do， but see the thing is i got to test the xenian out at imaging usa with dan walton i liked it so much i ended up purchasing it with the twenty eight to seventy five and the viltrox eighty five one eight i mainly justified this purchase because the xenon has a feature that neither my sony， a one or canon are at three hat it's what we call a dirty hdmil you can record the evf using a small recorder like the ninja star while not losing access to the evf so this doesn't black out so i can use the evf？ while i'm recording all the data inside here whereas with sony and canon i'm gonna have to hook up that much larger ninja v and then my then my evf get to so it's just a very it's a miserable way of shooting since i post mostly photography tutorials i think it's a very valuable teaching tool because i'm able to show those visual learners out there like me exactly what's going on in the camera most of y'all will never use that feature but we all find a way to justify a purchase right well that was it to be honest i was skeptical around the hype that surrounded the z nine， i thought it was gonna still share those a of course of the z seven z seven two but i was very wrong a month in and the autofocus is so much smarter， so much more predictable than the previous z cameras and very similar to the canon， art， three and the sony a one and for this past month i integrated the z nine into my normal workflow。 本期视频有短视频即刻翻译视频号或 b 站搜索短 视频即刻频道，专注分享自媒体变现。 the ibis in the camera， so when i was shooting bureau for another video that i'm doing for luke deck i put the z nine on my rhino slider and then i noticed something weird happening it was almost like the footage was like doing some kind of shakira hit thrust when the camera was panning now to me it looked like the ivis was like over compensating or trying to stabilize the footage when it didn't need it i called nikon about it and they just told me to turn the ibis off and that's fair i don't need ibis for a slider shop but at the same time there's always like the little micro jitters when using a mortarized slider like the rhino， i've never seen this happen to any of my sony or canon cameras ibis on ibisoff i never had to change that for it so i did the same slider move with the a one and the r three both with only ibis on just to show you how that this is something that's not normal i even tried it in sport mode and with the electronic vr on and off all the combinations and i found that turning off ibis and then only being on the electronic vr despite the crop it worked better while on the slider the good thing is that it rarely happens doing handheld or even gimbal shots and even if it does is not very noticeable as for the slider shots i always use worth stabilizer to remove the jitters in final cut and that usually does an amazing job it also pretty much corrected the xenai and ibis hip thrust， but a sly wobble is still present overall i don't think this is a big deal turning ibis off does solve the issue for me， but when i noticed shakira jerking the footage randomly while the camera was perfectly still i don't know i felt like i had to say something about it is this something to worry about or is this a non issue you tell me in the comments。 本期视频有短视频即刻翻译视频号或 b 站搜索短视频即刻频道，专注分享自媒体变现。 for me aesthetics matter think about how many people shoot fuji because of the way the camera looks personally i am a huge fan of the boxy shape of the z nine， i love that the z nines buttons light up when it gets dark especially here in the studio， i love the rear screen quality that weird hinge design it's actually growing on me it's it's perfect for vertical shooting and if i hold the camera out in front of me for handheld bureau the screen extends so far out it makes it easy to see what i'm doing unlike other mirrorless cameras the z nine allows you to change the volume of the artificial shutter sound the only negative part of owning a large camera like the z nine for me is the same with the r three they don't fit in any of my camera bags with the lens attached use ability honestly the r three and the a one are much more user friendly cameras meaning you can take them out of the box and start using them without getting lost in the menu z nine is by far the more complicated camera out of the three to be fair i don't have as much experience with nikon camera so i guess this could be seen as subjective but after i pick up a canon camera after using the z nine i can really appreciate the simplicity and organization of the menu system for example when i was using a z nine for video i wanted to adjust the af speed so i went into the video recording menu i saw a couple of a f settings there， but it was not what i was looking for then i went to the custom settings menu and looked in the focus tab there are a ton of options but still not there then i went to the video tab at the very bottom and i found it in that one something like this should be in the main video recording tab with canon and sony anything you need for autofocus will be in the autofocus tab and not scattered around everywhere it's still a fun camera to use it just takes a little bit more time to learn where everything is at my experience with the autofocus well to be fair i am a portrait photographer i'm not using all of the different modes i'm mostly an auto area or wide area and i let the camera find the subject in the eye for me and for what i do i found that the xenine is just as good as my sony and canon i think that if i would have put them through some kind of af torture test i would find little things that each camera can do better than the other now for example， i can argue right now to you that the canonard three is probably probably has the most sophisticated autofocus out of the three， but at the same time something like touch tracking on the z nine， i found it to be more sticky more and 本期视频有短视频即刻翻译视频号或必占搜索短视频即刻频道，专注分享自媒体变现。 it being able to find the eye sooner and from a longer range than the canon and even the sony， but at the same time the z night sometimes finds eyeballs where there aren't any the subject detection of the z nine can be a little glitchy and jittery it often misidentifies objects like here when it thinks that it's identifying human eyeballs and it gives me the option to switch over to the other i i turned subject detection off and then it stopped doing that it doesn't negatively affect my shooting experience in any way， but that's kind of the beauty of having access to all the flagship cameras i'm able to notice little things when it comes to the image quality the z nine to no surprise i thought the files look great， i do appreciate how the z nine allows you to shoot photos in high efficiency raw cutting the file size in half to about twenty five megabytes that's what i used for my long exposure portrait tutorial that i posted here on youtube last week， and i had no issues with color grading or correcting the exposure of the images i almost feel like it's pointless comparing the image quality of these top tier cameras because they're just they're all so good i still might do one though because people seem to really like that kind of content on youtube the zena versus r five versus a one with fifty one twos that's coming soon after one month with the z nine i think fifty five hundred dollars for this level of camera with this amount of features especially 本期视频由短视频即刻翻译，视频号或 b 站搜索，短视频即刻听到，专注分享，自媒体变现 the thing is that it's hard comparing the z nine to the art three and a one because not one of them is the best in everything the dilemma i face now is should i keep investing in this system the third party options are very limited they still don't have the f one point four glass and i'm just not a fan of their lens design i know that my son petty i've used most of their f one eight primes they perform amazing but the design is boring and uninspiring to me you know i kind of wish they brought back the gold ring from the fm i mean i even purchased my first villetrox lens ever just because i'm not a fan of like the eighty five millimeter black to design i don't know i know lenses are tools but i also care about the aesthetics and that they absolutely nailed with the z nine body think about how many people shoot to shoot there is z nine for the entire i think that for the for the past month that my night so we're gonna start off with some of the bad okay i all right so beauty of being able if i could ever imagine what a nerd is doing in their wet dream they are probably scrolling through the z nine menu look at this super ghetto setup that i have here this is like it was like twenty minutes of setup just for one shot i'm gonna tap on nikon then press record and then i'm gonna go to the background i'm gonna just shake it a little bit create like waves in the background。

尼康似乎准备用麒麟人印象深刻的高速旗舰产品尼康 c 九 h 来回应索尼最近推出的 a 九三和其开创性的全局快门传感器。有传言称， 这款新机型将在二零二四年巴黎奥运会前及时推出。根据尼康的传统， c 九 h 是一款主要针对体育赛事的速度对焦相机。那么尼康 c 九 h 会是什么样子呢？ 他值得期待吗？虽然具体细节仍严格保密，但早期报道显示，尼康正准备为 g 九 h 配备全新的全局快门传感器，以应对索尼的最新的技术创新。这将使其九 h 在捕获快速运动物体的无失真图像方面具有重要优势。对于体育 动作和野生动物摄影师来说，这将是一次颠覆性的升级，从传统的电子快门转向全新的全局快门传感器。全局快门 能够在同一时刻捕捉整个场景，从而消除了传感器读出时可能出现的失真，这是滚动快门方法所无法比拟的。索尼的 a 九三展示了在拍摄快速运动或动作时如何达到新的成像精度水平。 拥有同样能力的 g 九 h 将允许尼康与索尼的产品有利的竞争。全局快门不仅能够提供高速拍摄对象的无失真图像，而且还可以在任何快门速度下使用闪光灯进行拍摄。这位闪电般的快速动作开辟了一个全新的世界，这在以前是不可能的。 a 九三相机通过允许闪光达到四百分之一秒的电子快门速度来证明这一点。如果传闻中的尼康西九 h 能够匹配甚至超越这个功能，那么他将为寻求在定格时刻添加照明元素的运动和动作摄影师解锁新的潜力。这款相机可以实现全局快门锁 虚的令人难以置信的快速传感器毒素。据传言，为了实现这一功能， c 九 h 将以较低的分辨率进行补偿，约为两千万至两千四百万像素，低于 c 九的四千五百万像素。不过， 尼康可以跟随索尼的脚步，加入一个高分辨率的合成模式，这样当需要展现极致细节时，不再纯粹追求速度，而是可以创建高达二点四亿像素的图像。索尼 a 九三选择了较低的分辨率，集两千四百万像素以最大限度的提高性能。因此， 尼康降低像素是有道理的，可能是为了追求更高的性能。除了全局快门外，尼康 c 九 h 有望通过遵循该公式进一步突破速度极限，在全自动对焦和自动曝光的情况下，可能达到惊人的一百二十帧每秒的连拍速度。如此惊人的速 速度为捕捉决定性的瞬间创造了新的机会。根据传闻的规格，尼康西九 h 的目标非常明确，就是针对那些需要捕捉视觉爆炸时刻和惊人速度的顶级体育摄影师。这款相机将作为尼康星的旗舰产品， 并有可能重新定义其在专业体育和动作摄影领域的突出地位。尽管尼康面临着来自索尼堆叠式传感器技术的激烈竞争，但他们仍然拥有锦囊妙计。索尼可能已经拥为九三打响了第一枪，但尼康看起来已经准备好积极回击了。当然， 关于 c 九 h 的细节仍处于传闻阶段，但随着二零二四年财奥会的临近，尼康似乎已经准备好了推出迄今为止技术最先进的专业相机。这款相机配备了最好的产品，就像上一代传感器技术一样， c 九 h 的目标可能是在速度、精度和图像质量方面数量 新的标杆。对于在体育比赛精英领域的摄影师来说，这款相机可能是捕捉精彩瞬间和戏剧性时刻的终极工具。虽然尼康西九 h 仍然笼罩在神秘之中，虽然这些早期的传言只是让我们初步了解了尼康对索尼最近公式的可能反应， 我们将密切关注关于这款激动人心的未公布相机的谣言，但就目前而言， c 九 h 仍然处于猜测的领域。 尽管如此，他的可能性足以加速运动和动作摄影的脉搏。尼康似乎准备好了下一步大胆的行动。你觉得呢？请在下面的评论区分享你的想法，我们下个视频见。

屏幕上面展现的就是我这三年来使用的拍鸟装备，现在手里留下的呢是尼康 z 九和一百四百镜头，以前的设备呢都卖掉了， 下面我们先用一种沉浸式的方式看一下这些设备拍出来的效果。这边要声明一点，我这边拍的都是视频，没有照片。下面我们开始 现在使用尼康拍鸟呢，就几个感觉，一个是对焦比较好，当然他也不是那种百分之百都能对上胶的这种效果， 只能说是对焦成功率还不错。然后呢，尼康的镜头选择会多一点啊，尤其是长焦方面，但是呢价格都是比较贵的，我现在用的也是入门 级的一百四百。呃，另外一个尼康带给我的感觉就是它的画质和细节非常的好，支持八 k 的这个分辨率。下面我们再来看一下 fx 六的效果， 下面来聊聊 fx 六。那他的对焦呢，跟醉酒是差不多的啊，不过他的体积就比较大，不是很便携。 然后说一下它的优点啊，它是内置的电子 n d， 所以控光方面非常的棒，操作手感也是很舒服的。 呃，然后索尼的镜头呢，就不好说，因为它最长的胶段呢，只有到六百毫米。然后我使用的二百六百呢，它的画质是比较一般的。下面我们来看一下 fx 六的地理 s 三的表现。 索尼 hs 三呢，他跟 fx 六呢是使用同样的 cmos， 其实呢轻便了很多，对焦也不错。 呃，他拥有呢一万两千八的高杆表现，所以在光线不好的时候呢，也一样可以进行拍摄。不过他缺点呢，就是他只有一千两百万像素，所以出来的 画面呢，这个解吸力会稍弱一些。接下来我们来看看松下接一区六的表现。 gh 六呢，价格比较便宜，交具上呢又有两倍的系数，所以四百毫米的镜头呢，再加上增倍镜以后就可以轻松获得一千六百毫米的长胶，而且体积还非常小巧。不过 gh 六的对焦呢，是非常拉胯的 啊，你只能通过手动对照来拍鸟，那这个真的是太难了。后面剩下的富士 x t 四还有 jcam 啊这些呢，都是来打酱油的，大家看看样片就可以了，我就不再点评了。

打鸟设备哪家强？老郑帮您来测量。正儿八经聊摄影，大家好，我是老郑。 今天呢，老郑带着尼康、醉酒、佳能、阿三还有索尼 a 一这三个厂家的旗舰机来拍一下秀眼， 公平起见呢，老郑使用原厂的七零两百，统一使用七零两百啊，咱们测试一下他们的追焦能力和连拍能力如何？ 测完拍照测视频。咱们刚才啊，测完他们这个对焦能力和连拍能力，现在呢，咱们再测一次一下这三个旗舰机，他们这个视频能力，看看谁最厉害。

来，我来了，两位大哥，一个是尼康的 z 九啊，还有一款佳能的 e o s r 三 啊，咱们先说说这位大哥啊，你看老大哥 z 九，四千五百多万像素，每秒连拍可以达到二十张，视频可以达到八 k 啊，而且带蓝牙，带 wifi 啊，带触摸屏操作 啊，不仅连拍视频，包括他的续航能力啊，也是比较强大的，而且最主要他有一个革命性的突破是什么？他的快门也就说以后了，买相机了，买二手机了，说你这快门用了多少次了？ z 九不需要问了啊， 已经是纯电子快门了啊，无寿命无限啊，随便按，随便按！还有一款呢，就是我们的佳能的 老大哥啊， eosr 三啊，这款是两千四百多万像素的，像素，没有内九高，但他的连拍速度是可以达到每秒三十张，而且啊，这款机器有个特点是什么？可以带旋转屏啊，可以带旋转屏，带触摸屏 操作啊，是非常简单的，看到没有啊，操作非常简单，对焦也快啊，对焦也快，如果咱们需要，平时需要拍鞋打底或者运动题材的时候，看到没有，直接选一个啊，连拍就行，来，咱们听一下啊， 就问牛不牛，就问牛不牛啊，这款机器也同样带蓝牙，带 wifi， 而且带防抖， 而且也是带六 k 的超载视频啊，如果这两款究竟哪一款好啊，如果咱们啊拍些运动题材的话，我觉得这个要好一点啊，如果咱们洗一些大画质的话，我觉得这个要好一点啊， 我个人建议啊，两款都来啊，行不行？如果有喜欢的老师啊，咱们可以点点关注留个言啊，看你喜欢尼康还是佳能 ok。

索尼 a 七 m 四拿下全年销量冠军，但第二名你绝对想不到！在二零二二年十二月三十一日，日本著名摄影器材销售商捞麦 pams 公布了二零二二年一月一日至十二月十五日相机的销量排行榜。索尼的 a 七 m 四不出意外地获得了全年销冠。 凭借其全面均衡的性能， agm 四延续了上一代畸形 m 三的神话，成为了最受用户欢迎的畸形，但其却无法摆脱孤军奋战的尴尬，在销售前十名中，紧致一款索尼畸形上榜。 但排行榜的第二名却出乎很多人的预料，从奥林巴斯分拆出来的相机部门奥之星退出的 m 四三化服机型为 m 一，获得了全年销量的第二名。这款售价高达一万三千八百多元的 m 四三化 相机，凭借其堆占式传感器和优秀的照片与视频性能，赢得了众多用户的芳心。虽然很多人已经不看好 m 四三画幅的相机，但或许日本用户对此情有独钟吧。 第三名被加能的 apss 一、华服旗舰 uss 七获得。埃尔七从一发布就被受追捧，是这一级别标杆级的产品。销量榜的第四名是尼康的旗舰机型第九。 作为一款售价高达三万七千元的相机，能取得如此销售成绩实属不易，也证明了 g 九是当今最值得购买的旗舰级微单相机。 当然，如果产能和加价问题能解决好的话，销量还会再上一层楼。第五名是富士的 x t 五，在二零二二年，富士发布了多款 apss c 化服的机型， 将该级别畸形的性能也推到了一个新的高度，如果能有更丰富的镜头群，相信在今后会取得更好的成绩。从第六到第十名分别是佳能的 lsip、 佳能的 usl 六、佳能的 usl 五、尼康的肌肉二代和佳能的 usl 三。从榜单可以看出，佳能有五款机型上榜， 占据了半壁江山，彰显了其强大的市场统治力。那么您觉得日本的这个销量榜能反映整个数码相机市场的状况吗？欢迎在评论区留言 发表您的看法。我是光与聊摄影，欢迎关注我的频道，我们下期再见！